10 Upcoming Books to Gobble Up This Summer 2021 –– July Recommendations
July is coming and we are going full swing in summer ladies and gents. I am more than ready to sit by the beach, read some books in the summer while I sip my orange juice.
I’m not sure if I am saying this too soon, but this summer seems to be oddly cloudy and cooler than previous summers (watch me complain about the heat in a month). Which I am loving as your girl is basically an indoor plant and not a big fan of how humid the summers here can be.
Nowadays that I am doing my master’s degree and reading a poop ton of research papers, I have found that I am dedicating less time reading books. I mean, your girl still tries, but my attention span isn’t like undergrad me where I could read a hundred books a year. With that said though, I am definitely reading more this year than I did last year. What about you guys? How has your reading journey been so far in 2021? Good enough to add a few more books to our endless TBR list, I hope. Because ready or not, here comes the books!
In Carry On, Simon Snow and his friends realized that everything they thought they understood about the world might be wrong. And in Wayward Son, they wondered whether everything they understood about themselves might be wrong.
In Any Way the Wind Blows, Simon and Baz and Penelope and Agatha have to decide how to move forward.
For Simon, that means deciding whether he still wants to be part of the World of Mages — and if he doesn’t, what does that mean for his relationship with Baz? Meanwhile Baz is bouncing between two family crises and not finding any time to talk to anyone about his newfound vampire knowledge. Penelope would love to help, but she’s smuggled an American Normal into London, and now she isn’t sure what to do with him. And Agatha? Well, Agatha Wellbelove has had enough.
Any Way the Wind Blows takes the gang back to England, back to Watford, and back to their families for their longest and most emotionally wrenching adventure yet.
This book is a finale. It tells secrets and answers questions and lays ghosts to rest.
Shiori, the only princess of Kiata, has a secret. Forbidden magic runs through her veins. Normally she conceals it well, but on the morning of her betrothal ceremony, Shiori loses control. At first, her mistake seems like a stroke of luck, forestalling the wedding she never wanted, but it also catches the attention of Raikama, her stepmother.
Raikama has dark magic of her own, and she banishes the young princess, turning her brothers into cranes, and warning Shiori that she must speak of it to no one: for with every word that escapes her lips, one of her brothers will die.
Penniless, voiceless, and alone, Shiori searches for her brothers, and, on her journey, uncovers a conspiracy to overtake the throne—a conspiracy more twisted and deceitful, more cunning and complex, than even Raikama’s betrayal. Only Shiori can set the kingdom to rights, but to do so she must place her trust in the very boy she fought so hard not to marry. And she must embrace the magic she’s been taught all her life to contain—no matter what it costs her.
”Excerpt”
The bottom of the lake tasted like mud, salt, and regret. The water was so thick it was agony keeping my eyes open, but thank the great gods I did. Otherwise, I would have missed the dragon.
He was smaller than I’d imagined one to be. About the size of a rowboat, with glittering ruby eyes and scales green as the purest jade. Not at all like the village-sized beasts the legends claimed dragons to be, large enough to swallow entire warships.
He swam nearer until his round red eyes were so close they reflected my own.
He was watching me drown.
Help, I pleaded. I was out of air, and I had barely a second of life left before my world folded into itself.
The dragon regarded me, lifting a feathery eyebrow. For an instant, I dared hope he might help. But his tail wrapped around my neck, squeezing out the last of my breath.
And all went dark.
In hindsight, I probably shouldn’t have told my maids I was going to jump into the Sacred Lake. I only said it because the heat this morning was insufferable. Even the chrysanthemum bushes outside had wilted, and the kitebirds soaring above the citrus trees were too parched to sing. Not to mention, diving into the lake seemed like a perfectly sensible alternative to attending my betrothal ceremony—or as I liked to call it, the dismal end of my future.
Unfortunately, my maids believed me, and word traveled faster than demonfire to Father. Within minutes, he sent one of my brothers—along with a retinue of stern-faced guards—to fetch me.
So here I was, being shepherded through the palace’s catacomb of corridors, on the hottest day of the year. To the dismal end of my future.
As I followed my brother down yet another sun-soaked hall, I fidgeted with my sleeve, pretending to cover a yawn as I peeked inside.
“Stop yawning,” Hasho chided.
I dropped my arm and yawned again. “If I let them all out now, I won’t have to do it in front of Father.”
“Shiori…”
“You try being woken up at dawn to have your hair brushed a thousand times,” I countered. “You try walking in a god’s ransom of silk.” I lifted my arms, but my sleeves were so heavy I could barely keep them raised. “Look at all these layers. I could outfit a ship with enough sails to cross the sea!”
The trace of a smile touched Hasho’s mouth. “The gods are listening, dear sister. You keep complaining like that, and your betrothed will have a pockmark for each time you dishonor them.”
My betrothed. Any mention of him went in one ear and out the other, as my mind drifted to more pleasant thoughts, like cajoling the palace chef for his red bean paste recipe—or better yet, stowing away on a ship and voyaging across the Taijin Sea.
Being the emperor’s only daughter, I’d never been allowed to go anywhere, let alone journey outside of Gindara, the capital. In a year, I’d be too old for such an escapade. And too married.
The indignity of it all made me sigh aloud. “Then I’m doomed. He’ll be hideous.”
My brother chuckled and nudged me forward. “Come on, no more complaining. We’re nearly there.”
I rolled my eyes. Hasho was starting to sound like he was seventy, not seventeen. Of my six brothers, I liked him most—he was the only one with wits as quick as mine. But ever since he started taking being a prince so seriously and wasting those wits on chess games instead of mischief, there were certain things I couldn’t tell him anymore.
Like what I was keeping inside my sleeve.
A tickle crawled up my arm, and I scratched my elbow.
Just to be safe, I pinched the wide opening of my sleeve shut. If Hasho knew what I was hiding under its folds, I’d never hear the end of it.
From him, or from Father.
“Shiori,” Hasho whispered. “What’s the matter with your dress?”
“I thought I smudged the silk,” I lied, pretending to rub at a spot on my sleeve. “It’s so hot today.” I made a show of looking out at the mountains and the lake. “Don’t you wish we were outside swimming instead of going to some boring ceremony?”
Hasho eyed me suspiciously. “Shiori, don’t change the topic.”
I bowed my head, doing my best to look remorseful—and covertly adjusted my sleeve. “You’re right, Brother. It’s time I grew up. Thank you for… for…”
Another tickle brushed my arm, and I clapped my elbow to muffle the sound. My secret was growing restless, making the fabric of my robes ripple.
“For escorting me to meet my betrothed,” I finished quickly.
I hastened toward the audience chamber, but Hasho caught my sleeve, raised it high, and gave it a good shake.
Out darted a paper bird as small as a dragonfly, and just as fast. From afar, she looked like a little sparrow, with an inky red dot on her head, and she flitted from my arm to my brother’s head, wildly beating her slender wings as she hovered in front of his face.
Hasho’s jaw dropped, his eyes widening with shock.
“Kiki!” I whispered urgently, opening my sleeve. “Come back inside!”
Kiki didn’t obey. She perched on Hasho’s nose and stroked it with a wing to show affection. My shoulders relaxed; animals always liked Hasho, and I was certain she would charm him the way she’d charmed me.
Then my brother swooped his hands over his face to catch her.
Hannah Ashton wakes up to silence. The entire city around her is empty, except for one other person: Leo Sterling. Leo might be hottest boy ever (and not just because he’s the only one left), but he’s also too charming, too selfish, and too devastating for his own good, let alone Hannah’s.
Stuck with only each other, they explore a world with no parents, no friends, and no school and realize that they can be themselves instead of playing the parts everyone expects of them. Hannah doesn’t have to be just an overachieving, music-box-perfect ballerina, and Leo can be more than a slacker, 80s-glam-metal-obsessed guitarist. Leo is a burst of honesty and fun that draws Hannah out, and Hannah’s got Leo thinking about someone other than himself for the first time.
Together, they search for answers amid crushing isolation, but while their empty world may appear harmless . . . it’s not. Because nothing is quite as it seems, and if Hannah and Leo don’t figure out what’s going on, they might just be torn apart forever.
Her car was found abandoned on the edge of a local nature preserve known as the Bend, but as the case goes cold, Natasha’s loss turns to burning anger.
She’ll do anything to find answers.
Della’s family has channeled magic from the Bend for generations, providing spells for the desperate. But when Natasha appears on her doorstep, Della knows it will take more than simple potions to help her.
But Della has her own secrets to hide.
Because Della thinks she knows the beast who’s responsible for the disappearance — her own mother, who was turned into a terrible monster by magic gone wrong.
Natasha is angry. Della has little to lose.
They are each other’s only hope.
”Excerpt”
The prison is always quiet but never still. A train’s low rumble vibrates the cement walls, releasing ancient dust in ghostly breaths. Water drips. Mice scurry in the ruins. Starlings flutter in the rafters, all rattle and rasp. Wind moans through the narrow, broken windows.
Everyone in town thinks this old prison is haunted. They don’t know how right they are.
“I’m here,” I call. My voice echoes in the predawn darkness, making the starlings stop their chatter. I shine my flashlight over the path, watching for rubble that could trip me. If I fall, she might decide I’m prey. If I fall —
“Are you awake?” I ask, pushing away the fear before it can get its roots into me. I pause, listening for her slightest movement, a single breath. There’s nothing.
The short, fine hairs at the back of my neck prickle, and I spin, ready to block a slap, a lunge, a bite. But her silhouette in the darkness is still. She’s back in her human form now, only a slight, pale woman with long, dark hair and a smell like the river at flood time. I wait for her to move, wait for her to show today’s mood. Will she be quiet and sly, or raging?
She steps into a shaft of weak light. Her hair is matted with dirt and something dark and wet. Her eyes are as shadowed as the forgotten corners of this derelict prison. A smear of dried blood turns her thin lips into a clown’s crooked smile. She comes closer and reaches a bony hand toward my face.
Everything inside me wants to startle and back away, wants to bolt. But you can’t show her any weakness, so I brace myself for her touch. Her hand is moist and cold and smells of earth. She caresses my cheek, her gaze almost gentle.
Some old blood instinct, some half-forgotten longing, rises in me. “Momma,” I say, leaning into her touch. She smiles at the endearment.
And then her hand snarls in my hair and I’m flying across the room. I catch my balance just in time to keep from toppling into a brick wall. My fingers splay over the peeling white paint, knocking long flakes of it from the wall in my hurry to spin back around. A brick barely misses my face as I turn.
Momma cackles.
“Are you done now?” I ask after a beat, keeping my voice steady, almost indifferent. That’s the way to handle my mother when she’s in a mood like this. She’s human now, but only just. By noon, she’ll be more like her old self. But I’ll be stocking shelves at the grocery store by then.
Momma shrugs, but I can tell she’s already lost interest. She wanders across the open room and pauses beneath the squawking starlings, gazing up at them. That must be where the blood came from — a bird she caught in the night. At least I hope it was a bird. I guess it could also be a rat or possum.
“I brought you some breakfast,” I say, crossing the room with my pack. Momma settles onto a clear place on the floor and I sit across from her, pulling out a thermos of decaf coffee and a fried-egg-and-cheese sandwich, which she regards with deep skepticism.
She turns her eyes back to the starlings and begins to hum. Her voice, even while humming, is eerily beautiful, especially here, echoing in the stillness of the prison. The starlings stop their chattering to listen. Maybe this is how she caught one last night.
“What’s that you’re humming?” I ask, hoping to draw her back to human thoughts.
She looks at me and smiles, the blood on her lips turning it into a chilling expression. She sings, picking up where she left off.
From ear to ear I slit her mouth,
And stabbed her in the head,
Till she, poor soul, did breathless lie,
Before her butcher bled.
I go as still as the birds, my eyes fixed on hers. Her expression turns troubled as she sings the next verse, but her voice seems to caress the words.
And then I took her by the hair,
To cover the foul sin
And dragged her to the riverside,
And threw her body in.
“That’s enough, Momma,” I say. “Stop it.” I shake myself, as if the movement can release me from her song and the memories it evokes: gray skin and sharp teeth, a curtain of hair like seaweed. The wildness in her green eyes as she pushed the body into the river.
Josh Baxter, the man behind the wheel, is a virtual stranger to Charlie. They met at the campus ride board, each looking to share the long drive home to Ohio. Both have good reasons for wanting to get away. For Charlie, it’s guilt and grief over the murder of her best friend, who became the third victim of the man known as the Campus Killer. For Josh, it’s to help care for his sick father. Or so he says. Like the Hitchcock heroine she’s named after, Charlie has her doubts. There’s something suspicious about Josh, from the holes in his story about his father to how he doesn’t seem to want Charlie to see inside the car’s trunk. As they travel an empty highway in the dead of night, an increasingly worried Charlie begins to think she’s sharing a car with the Campus Killer. Is Josh truly dangerous? Or is Charlie’s suspicion merely a figment of her movie-fueled imagination?
What follows is a game of cat-and-mouse played out on night-shrouded roads and in neon-lit parking lots, during an age when the only call for help can be made on a pay phone and in a place where there’s nowhere to run. In order to win, Charlie must do one thing–survive the night.
”Excerpt”
Fade in.
Parking lot.
The middle of night.
The middle of nowhere.
Beginning at the end, like a great film noir. Bill Holden dead in the swimming pool. Fred MacMurray giving his last confession.
Going full circle. Like a noose.
There’s a car, a diner, a neon sign in the parking lot fading to streaks in the rearview mirror as the car speeds away. Inside are two people—a young woman in the passenger seat and a man behind the wheel. Both stare through the windshield to the road ahead, uncertain.
About who they are.
About where they’re going.
About how they got here, to this precise moment in time. Just before midnight. The final seconds of Tuesday, November 19, 1991.
But Charlie knows what brought them to the cusp of this uncertain new day. As the situation unfolds frame by frame, like film through a projector, she knows exactly how it all happened.
She knows because this isn’t a movie.
It’s the here and now.
She’s the girl in the car.
The man behind the wheel is a killer.
And Charlie understands, with the certainty of someone who’s seen this kind of movie a hundred times before, that only one of them will live to see the dawn.
–––
Staying isn’t an option.
That’s why Charlie has agreed to get into a car with a perfect stranger.
She’s promised Robbie—promised herself as well—that she’ll bolt if anything about the situation strikes her as shady. One can’t be too careful. Not these days.
Not after what happened to Maddy.
Charlie has already steeled herself for flight, mentally listing all the scenarios in which she should run. If the car looks battered and/or has tinted windows. If someone else is inside, no matter the excuse. If he seems too eager to depart or, on the flip side, not hurried enough. She’s sworn—to Robbie, to herself, to Maddy, whom she still sometimes talks to even though she’s now two months in the grave—that a single shiver of apprehension will send her running back to the dorm.
She doubts it will come to that. Because he seems nice. Friendly. Definitely not the type of guy who’d do the things that had been done to Maddy and the others.
Besides, he’s not a stranger. Not completely. They’d met once before, in front of the ride board in the campus commons, dwarfed by that wall of flyers from students desperate to get home and those eager to drive them there in exchange for gas money. Charlie had just put up her own flyer—carefully printed, her phone number placed on each meticulously cut tab—when he appeared at her side.
“You’re going to Youngstown?” he said, his gaze flicking from her to the flyer and back again.
Charlie hesitated before responding. A post-Maddy habit. She never willingly engaged with people she didn’t know. Not until she had a grasp on their intentions. He could have been making small talk. Or trying to pick her up. Unlikely, but not entirely out of the realm of possibility. It was how she met Robbie, after all. She’d been pretty once, before guilt and grief had sunk their claws into her.
“Yeah,” she eventually said, after his gaze returned to the ride board, making her decide he was there for the same reason she was. “That where you’re heading?”
“Akron,” he said.
Hearing that made Charlie stand at attention. Not quite Youngstown, but close enough. A quick stop on the way to his final destination.
“Rider or driver?” she asked.
“Driver. Was hoping to find someone willing to split the cost of gas.”
“I could be that someone,” she said, letting him look her over, giving him the chance to decide if she was the type of person he’d want to spend hours alone in a car with. She knew what kind of vibe she gave off—an angry dourness that would have made guys like him tell her to smile more if she hadn’t looked like she’d punch them for doing so. Doom and gloom hovered over her like a rain cloud.
Charlie studied him right back. He appeared to be a few years older than the typical student, although that could have been a product of his size. He was big. Tall, broad-chested, square-jawed. Wearing jeans and an Olyphant University sweatshirt, he looked, Charlie thought, like the hero of a forties campus comedy. Or the villain in an eighties one.
She assumed he was a grad student like Robbie. One of those people who got a taste for college life and decided they never wanted to leave. But he had nice hair, something Charlie still noticed even though she’d let her own grow limp and scraggly. Great smile, too, which he flashed when he said, “Possibly. When were you looking to leave?”
Charlie gestured to her flyer and the four letters placed all-caps in the dead center of the page.
ASAP
He tore a tab from the bottom of the flyer, leaving a gap that brought to Charlie’s mind a missing tooth. The thought made her shudder.
The man placed the torn-off tab in his wallet. “I’ll see what I can do.”
Charlie hadn’t expected a response. It was the middle of the week in the middle of November, with Thanksgiving just ten days away. No one was looking to leave campus then. No one but her.
But that night, her phone rang, and a vaguely familiar voice on the other end said, “Hi, it’s Josh. From the ride board.”
Charlie, who’d been sitting in her dorm staring at the half of room that had once been filled with all things Maddy but now sat lifeless and bare, amused herself by responding, “Hi, Josh from the ride board.”
“Hi—” Josh paused, no doubt checking the paper tab in his hand for the name of the girl he was calling. “Charlie. I just wanted to tell you that I can leave tomorrow, but it won’t be until late. Nine o’clock. If you want, there’s a space in the passenger seat with your name on it.”
“I’ll take it.”
And that was that.
Now tomorrow is today, and Charlie is having one last look at the dorm room she’ll most likely never come back to. Her gaze sweeps slowly across the room, making sure to take in every inch of the place she’s called home for the past three years. The cluttered desks. The beds piled with pillows. The strand of fairy lights Maddy had put up their first Christmas and never bothered to take down, now in full twinkle.
The golden sunlight of an autumn afternoon streams through the window, giving everything a sepia glow and making Charlie feel both joy and sadness. Nostalgia. That beautiful ache.
Someone enters the room behind her.
Maddy.
Charlie smells her perfume. Chanel No. 5.
“What a dump,” Maddy says.
A melancholy smile plays across Charlie’s lips. “I think I—”
In horror movies, the final girl is the one who’s left standing when the credits roll. The one who fought back, defeated the killer, and avenged her friends. The one who emerges bloodied but victorious. But after the sirens fade and the audience moves on, what happens to her?
Lynnette Tarkington is a real-life final girl who survived a massacre twenty-two years ago, and it has defined every day of her life since. And she’s not alone. For more than a decade she’s been meeting with five other actual final girls and their therapist in a support group for those who survived the unthinkable, putting their lives back together, piece by piece. That is until one of the women misses a meeting and Lynnette’s worst fears are realized–someone knows about the group and is determined to take their lives apart again, piece by piece.
But the thing about these final girls is that they have each other now, and no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.
”Excerpt”
I wake up, get out of bed, say good morning to my plant, unwrap a protein bar, and drink a liter of bottled water. I’m awake for five full minutes before remembering I might die today. When you get old, you get soft.
In the living room I stretch and do forty knee strikes, forty palm heel strikes, and side mountain climbers until sweat drips onto the concrete floor. I do elbow strikes until my shoulders burn, then I get on the treadmill, put the speed up to seven, and run until my thighs are on fire and my chest rasps, and then I run for five more minutes. I have to punish myself for forgetting exactly what the stakes are, especially today.
The bathroom door gets padlocked from the inside while I shower. I make up my bed to eliminate the temptation to crawl back in. I make tea, and it’s not until the electric kettle clicks that I have my first panic attack of the day.
It’s not a bad one, just a cramp in my chest that feels like a giant hand squeezing my lungs shut. I close my eyes and concentrate on relaxing the muscles lining my throat, on taking deep breaths, on pulling oxygen into the bottom of my lungs. After two and a half minutes I can breathe normally again and I open my eyes.
This apartment is the only place in the world where that’s possible. A bedroom, a living room, a kitchen, and a bathroom where, as long as I take reasonable precautions, I can close my eyes for two minutes. Out there in the world it’s a nonstop murder party, and if I make the slightest mistake I’ll wind up dead.
I go into the living room and turn on CNN to see what the body count is today, and from the very first image I know that the next twenty-four hours will be bad.
A live drone shot of a summer camp is buried beneath all the other junk CNN puts onscreen. It shows sedans and emergency vehicles clustered outside the cabins, men in white hazmat suits walking between the trees, yellow police tape blocking the road. They cut to recorded footage of the night before, blue lights flashing in the dark, and the slugline hits me in the gut: Real Life Red Lake Tragedy Repeats.
I turn on the sound and the story is exactly what I feared. Someone murdered six Camp Red Lake counselors who were shutting the place down for the season. They used a variety of weapons-hand scythe, power drill, bow and arrows, machete-and would have had a seventh victim except the last one, a sixteen-year-old girl the CNN chyron tells me is named Stephanie Fugate, shoved them out the hayloft.
The killer hasn’t been identified yet, but there’s Stephanie onscreen in a class photo with her round face and clear skin, smiling through her braces with a grin that breaks my heart. After last night, she’ll never be that happy again. She’s a final girl now.
You’re watching a horror movie and the silent killer knocks off the stoner, the slut, the geek, the jock, and the deputy, and now he’s chasing the virgin babysitter through the woods. She’s the one who said they shouldn’t party at this deserted summer camp, break into this abandoned lunatic asylum, skinny-dip in this isolated lake-especially since it’s Halloween, or Thanksgiving, or Arbor Day, or whatever the anniversary is of those unsolved murders from way back. The killer’s got a chainsaw/boat hook/butcher’s knife and this girl’s got zip: no upper body strength, no mass, no shotgun. All she’s got is good cardio and an all-American face. Yet somehow she kills the killer, then stares numbly off into the middle distance, or collapses into the arms of the arriving police, or runs crying to her boyfriend, makes one last quip, lights one last cigarette, asks a final haunting question, gets taken off in an ambulance screaming and screaming like she’s never going to stop.
Ever wonder what happens to those final girls? After the cops eliminate them as suspects, after the press releases their brace-faced, pizza-cheeked, bad-hair-day class photos that inevitably get included on the cover of the true crime book? After the candlelight vigils and the moments of silence, after someone plants the memorial shrub?
I know what happens to those girls. After the movie deals get signed, after the film franchise fails, after you realize that while everyone else was filling out college applications you were locked in a residential treatment program pretending you weren’t scared of the dark. After the talk show circuit, after your third therapist just accepts that he’s your Zoloft-dispensing machine and you won’t be making any breakthroughs on his watch, after you realize that the only interesting thing that’ll ever happen to you happened when you were sixteen, after you stop going outside, after you start browsing locksmiths the way other women browse the windows of Tiffany’s, after you’ve left town because you couldn’t deal with the “Why not you?” looks from the parents of all your dead friends, after you’ve lost everything, been through the fire, started knowing your stalkers by their first names, after all that happens you wind up where I’m going today: in a church basement in Burbank, seated with your back to the wall, trying to hold the pieces of your life together.
We’re an endangered species, for which I’m grateful. There are only six of us still around. It used to make me sad there weren’t more of us out there, but we were creatures of the eighties and the world has moved on. They used to dust off the clip packages for our anniversaries or the occasional franchise reboot, but these days it’s all oil spills and Wikileaks, the Tea Party and the Taliban. The six of us belong to another era. We’re media invisible. We might as well not even exist.
As I turn off CNN I realize I miscounted. There are actually seven of us; I just don’t like to think about Chrissy. No one does. Even mentioning her name can mess with your head because she’s a traitor. So I take a minute, even though I only have three hours to get to group, and I take a deep breath and try to get my focus back.
Adrienne’s going to be a mess. Camp Red Lake was where it happened to her, but she bought the place later and turned it into a retreat for victims of violence, mostly survivors of school shootings and kids who got away from their kidnappers. This hits her where she lives. At least it’ll give us something new to talk about besides whatever old business we’re still arguing over today.
When I can’t put it off any longer, I get ready to head out. Group is the only time I leave this apartment except to go to the mailbox place across the street once a week, to check my escape routes once a month, and my biweekly trips to the corner store for supplies. I don’t like risk. My hair is short because long hair can get grabbed. I wear running shoes in case I have to move. I don’t wear loose clothing.
I inventory my pockets: keys, money, phone, weapons. I stopped carrying a firearm on public transport after an incident a couple of years back, but I have pepper spray, a box cutter in my right front pocket, and a razor blade taped to my left ankle. I don’t wear headphones, I don’t wear sunglasses, I make sure my jacket is tight so there’s nothing to snag, and then I say good-bye to my plant, take a deep breath, step out of my apartment, and face a world that wants me dead.
An ambitious mother puts her art career on hold to stay at home with her newborn son, but the experience does not match her imagination. Two years later, she steps into the bathroom for a break from her toddler’s demands, only to discover a dense patch of hair on the back of her neck. In the mirror, her canines suddenly look sharper than she remembers. Her husband, who travels for work five days a week, casually dismisses her fears from faraway hotel rooms.
As the mother’s symptoms intensify, and her temptation to give in to her new dog impulses peak, she struggles to keep her alter-canine-identity secret. Seeking a cure at the library, she discovers the mysterious academic tome which becomes her bible, A Field Guide to Magical Women: A Mythical Ethnography, and meets a group of mothers involved in a multilevel-marketing scheme who may also be more than what they seem.
An outrageously original novel of ideas about art, power, and womanhood wrapped in a satirical fairy tale, Nightbitch will make you want to howl in laughter and recognition. And you should. You should howl as much as you want.
”Excerpt”
When she had referred to herself as Nightbitch, she meant it as a good-natured self-deprecating joke–because that’s the sort of lady she was, a good sport, able to poke fun at herself, definitely not uptight, not wound really tight, not so freakishly tight that she couldn’t see the humor in a lighthearted not-meant-as-an-insult situation–but in the days following this new naming, she found the patch of coarse black hair sprouting from the base of her neck, and was, like, What the fuck.
I think I’m turning into a dog, she said to her husband when he arrived home after a week away for work. He laughed and she didn’t.
She had hoped he wouldn’t laugh. She had hoped, that week as she lay in bed, wondering if she was turning into a dog, that when she said those words to her husband, he would tip his head to one side and ask for clarification. She had hoped he would take her concerns seriously. But as soon as she said the words, she saw this was impossible.
Seriously, she insisted. I have this weird hair on my neck.
She lifted her normal hair to show him the black patch. He rubbed it with his fingers and said, Yeah, you’re definitely a dog.
To her credit, she did appear more hirsute than usual. Her unruly hair moved about her head and shoulders like a cloud of wasps. Her brows caterpillared across her forehead with unplucked growth. She had even witnessed two black hairs curling from her chin and, in the right light–in any light at all, to be honest–you could see the five o’clock shadow of her mustache as it grew back in after her laser treatments. Had she always had so much hair on her arms? Descending the edge of her jaw from her hairline? And was it normal to have patches of hair on the tops of your feet?
And look at my teeth, she said, baring her teeth and pointing to her canines. She was convinced they had grown, and the tips had narrowed to ferocious points that could cut a finger with a mere prick. Why, she had nearly cut hers during her nightly examination in the bathroom. Every night, when her husband was gone and their son was happily playing with trains in his pajamas, she stood at the mirror and pulled her lips back from her teeth, turned her head from side to side, then tilted her head back and looked at her teeth from that bottom-up angle, searched the Internet on her phone for pictures of canines to which she might compare her own, tapped her teeth with her fingernails, told herself she was being silly, then searched humans with dog teeth on her phone, searched do humans and dogs share a common ancestor, searched human animal hybrid and recessive animal genes in humans and research human animal genes legacy, searched werewolves, searched real werewolves in history, searched (somewhat inexplicably) witches, searched (somewhat relatedly) hysteria 19th century, and then, since she wanted to, searched rest cures and The Yellow Wallpaper, and she reread The Yellow Wallpaper, which she had once read in college, then stared blankly for a while at nothing in particular while sitting on the toilet, then stopped searching altogether.
Touch it, she insisted, pointing to her tooth. Her husband reached out and prodded the tip of her canine with his pointer finger.
Ow! he said, pulling his hand back and cradling it close to his body. Just kidding, he said as he held up an unscathed finger and waggled it at her face.
Your tooth looks the same to me. You always think something’s wrong with you, he said pleasantly.
Her husband was an engineer. He specialized in “quality control.” What precisely this meant, the mother was not entirely sure. So he went around and looked at machines to make sure they were maximizing efficiency? Adjusted systems to keep them humming along at higher frequencies? Read output reports and made suggestions toward improvement? Sure. Whatever.
What she did know was that he had little time for feelings, a condescending patience for intuition, and scoffed openly at talk unsupported by peer-reviewed scientific studies or statistics. Still, he was a good man, a caring man, an affable man, whom she appreciated very much, despite everything. She was, after all, prone to indecision, doubling back on things she had once felt but had since come to feel differently about. She was prone to anxiety, to worry, to a sensation in her chest that her heart might explode. She ran hot. She buzzed. Either she needed to keep busy or else she needed to lie down and sleep. Her husband, on the other hand, needed nothing whatsoever.
No wonder, then, that they deferred to his judgment, his good levelheaded judgment, his engineer’s evenness. Of course there was nothing wrong with her. This she told herself as they lay in bed, their child between them, asleep and wedging his toes beneath her leg.
I think I should sleep in the guest room, she whispered to her husband.
Why? he whispered back.
I get so angry now. At night, she said. He didn’t respond. I think I just need a good night’s sleep, she added.
Okay, he said.
She rolled from bed without a sound and felt her way down the stairs and tucked into the clean sheets of the guest bed. She rubbed the patch of coarse hair on the back of her neck to soothe herself, then ran her tongue over the sharp edges of her teeth. In this way, she fell into a thick and unbothered sleep.
One day, the mother was a mother, but then, one night, she was quite suddenly something else.
Yes, it had been June, and, yes, her husband had been gone the entire week. In fact, it was his twenty-second weeklong absence that year, a year in which only twenty-four weeks in total had passed, not that anyone was counting.
Yes, the boy had an ear infection that week and had slept only in fitful bouts. Yes, he had not really been napping well or even at all.
Yes, she was experiencing intense PMS for the first time in her life, at age thirty-seven.
And it was then, on a regular Friday, in the deepest hours of night, when the boy awoke there in bed, between his mother and father, for he did not–he would not–sleep in his own. It was the third or fourth time that night he had stirred. She had lost track.
At first she did nothing, waiting for her husband to wake, which he did not, because that wasn’t a thing he ever did. She waited longer than she usually did, waited and waited, the boy wailing while she lay as still as a corpse, patiently waiting for the day when her corpse self would miraculously be reanimated and taken into the Kingdom of the Chosen, where it would create an astonishing art installation composed of many aesthetically interesting beds. The corpse would have unlimited child-care and be able to hang out and go to show openings and drink corpse wine with the other corpses whenever it wanted, because that was heaven. That was it.
She lay there as long as she could without making a sound, a movement. Her child’s screams fanned a flame of rage that flickered in her chest.
That single, white-hot light at the center of the darkness of herself–that was the point of origin from which she birthed something new, from which all women do.
You light a fire early in your girlhood. You stoke it and tend it. You protect it at all costs. You don’t let it rage into a mountain of light, because that’s not becoming of a girl. You keep it secret. You let it burn. You look into the eyes of other girls and see their fires flickering there, offer conspiratorial nods, never speak aloud of a near-unbearable heat, a growing conflagration.
You tend the flame because if you don’t you’re stuck, in the cold, on your own, doomed to seasonal layers, doomed to practicality, doomed to this is just the way things are, doomed to settling and understanding and reasoning and agreeing and seeing it another way and seeing it his way and seeing it from all the other ways but your own.
And upon hearing the boy’s scream, the particular pitch and slice, she saw the flame behind her closed eyes. For a moment, it quivered on unseen air, then, at once, lengthened and thinned, paused, and dropped with a whump into her chest, then deeper into her belly, setting her aflame.
Goooooo baaaarg EEEEeeeeep, she gargled, sleep-drunk, only half awake. She was trying to say something–Go back to sleep, perhaps–but instead the words came out in an undulating sweep of grunts and squeals, sounds she’d only ever heard long before, during her girlhood, from her grandmother’s husky as it begged at the door for dinner scraps. She had never liked that dog, first because its eyes were ice blue–the eyes of the undead–and, moreover, because of the way it sounded, almost human. And now those same sounds slipped from her own mouth.
The strangeness of the sound, and then the memory of the husky, woke her more than she would have liked.
Stop! she said sharply to the child, her husband an unmoving mass on the other side of the boy, who rolled and kicked, his cries turning to screams.
Stop. Stop. Stop! she barked, rolling over to face the boy.
His fucking binky! she growled meanly to her husband, then turned away from them both and stuck a finger in one ear.
The boy cried and cried, and her husband did nothing and nothing. The fire roared large, larger, blistering hot, until it threatened to consume her entirely, and it was then she rose with a great howl, flung the sheets from her, reached for the bedside light, in her haste knocked the lamp to the floor and heard it shatter, moaned with rage and staggered around the bed, found the other bedside lamp, then turned the switch to find her husband sitting in bed, holding the cowering boy, binky now in mouth.
Her hair was long and unkempt and, suspended within it, small bits of leaves, a dust of cracker or bread, unidentified white fluff. She breathed heavily from her mouth. Smears of blood painted her path around the bed, tiny shards of lamp base now embedded in the tender skin of her feet, though this the mother did not notice, or perhaps she did not care. Her eyes narrowed, and she sniffed the air. She skulked back to her side of the bed, wrapped herself in the blankets and, without helping, without offering a hand, without care, promptly plummeted into a hard and drowning sleep.
In a famine-stricken village on a dusty yellow plain, two children are given two fates. A boy, greatness. A girl, nothingness…
In 1345, China lies under harsh Mongol rule. For the starving peasants of the Central Plains, greatness is something found only in stories. When the Zhu family’s eighth-born son, Zhu Chongba, is given a fate of greatness, everyone is mystified as to how it will come to pass. The fate of nothingness received by the family’s clever and capable second daughter, on the other hand, is only as expected.
When a bandit attack orphans the two children, though, it is Zhu Chongba who succumbs to despair and dies. Desperate to escape her own fated death, the girl uses her brother’s identity to enter a monastery as a young male novice. There, propelled by her burning desire to survive, Zhu learns she is capable of doing whatever it takes, no matter how callous, to stay hidden from her fate.
After her sanctuary is destroyed for supporting the rebellion against Mongol rule, Zhu takes the chance to claim another future altogether: her brother’s abandoned greatness.
”Excerpt”
The days ground on. The Zhu family’s yellow beans were running low, the water was increasingly undrinkable, and the girl’s traps were catching less and less. Many of the remaining villagers set out on the hill road that led to the monastery and beyond, even though everyone knew it was just exchanging death by starvation for death by bandits. The girl’s father alone seemed to have found new strength. Every morning he stood outside under the rosy dome of that unblemished sky and said like a prayer, “The rains will come. All we need is patience, and faith in Heaven to deliver Zhu Chongba’s great fate.”
One morning the girl, sleeping in the depression she and Chongba had made for themselves next to the house, woke to a noise. It was startling: they had almost forgotten what life sounded like. When they went to the road they saw something even more surprising. Movement. Before they could think it was already rushing past in a thunderous press of noise: men on filthy horses that flung up the dust with the violence of their passage.
When they were gone Chongba said, small and scared, “The army?”
The girl was silent. She wouldn’t have thought those men could have come from that dark flowing river, beautiful but always distant.
Behind them, their father said, “Bandits.”
That afternoon three of the bandits came stooping under the Zhu family’s sagging lintel. To the girl, crouched on the bed with her brother, they seemed to fill the room with their size and rank smell. Their tattered clothes gaped and their untied hair was matted. They were the first people the girl had ever seen wearing boots.
The girl’s father had prepared for this event. Now he rose and approached the bandits, holding a clay jar. Whatever he felt, he kept it inside. “Honored guests. This is only of the poorest quality, and we have but little, but please take what we have.”
One of the bandits took the jar and looked inside. He scoffed. “Uncle, why so stingy? This can’t be all you have.”
Their father stiffened. “I swear to you, it is. See for yourself how my children have no more flesh on them than a sick dog! We’ve been eating stones for a long time, my friend.”
The bandit laughed. “Ah, don’t bullshit me. How can it be stones if you’re all still alive?” With a cat’s lazy cruelty, he shoved the girl’s father and sent him stumbling. “You peasants are all the same. Offering us a chicken, expecting us not to see the fatted pig in the pantry! Go get the rest of it, you cunt.”
The girl’s father caught himself. Something changed in his face. In a surprising burst of speed he lunged at the children and caught the girl by the arm. She cried out in surprise as he dragged her off the bed. His grip was hard; he was hurting her.
Above her head, her father said, “Take this girl.”
For a moment the words didn’t make sense. Then they did. For all her family had called her useless, her father had finally found her best use: as something that could be spent to benefit those who mattered. The girl looked at the bandits in terror. What possible use could she have to them?
Echoing her thoughts, the bandit said scornfully, “That little black cricket? Better to give us one five years older, and prettier—” Then, as realization dawned, he broke off and started laughing. “Oh, uncle! So it’s true what you peasants will do when you’re really desperate.”
Dizzy with disbelief, the girl remembered what the village children had taken pleasure in whispering to one another. That in other, worse-off villages, neighbors would swap their youngest children to eat. The children had thrilled with fear, but none of them had actually believed it. It was only a story.
But now, seeing her father avoiding her gaze, the girl realized it wasn’t just a story. In a panic she began struggling, and felt her father’s hands clench tighter into her flesh, and then she was crying too hard to breathe. In that one terrible moment, she knew what her fate of nothing meant. She had thought it was only insignificance, that she would never be anything or do anything that mattered. But it wasn’t.
It was death.
As she writhed and cried and screamed, the bandit strode over and snatched her from her father. She screamed louder, and then thumped onto the bed hard enough that all her breath came out. The bandit had thrown her there.
Now he said, disgusted, “I want to eat, but I’m not going to touch that garbage,” and punched their father in the stomach. He doubled over with a wet squelch. The girl’s mouth opened silently. Beside her, Chongba cried out.
“There’s more here!” One of the other bandits was calling through from the kitchen. “He buried it.”
Their father crumpled to the floor. The bandit kicked him under the ribs. “You think you can fool us, you lying son of a turtle? I bet you have even more, hidden all over the place.” He kicked him again, then again. “Where is it?”
The girl realized her breath had come back: she and Chongba were both shrieking for the bandit to stop. Each thud of boots on flesh pierced her with anguish, the pain as intense as if it were her own body. For all her father had shown her how little she meant to him, he was still her father. The debt children owed their parents was incalculable; it could never be repaid. She screamed, “There isn’t any more! Please stop. There isn’t. There isn’t—”
The bandit kicked their father a few more times, then stopped. Somehow the girl knew it hadn’t had anything to do with their pleading. Their father lay motionless on the ground. The bandit crouched and lifted his head by the topknot, revealing the bloodied froth on the lips and the pallor of the face. He made a sound of disgust and let it drop.
The other two bandits came back with the second jar of beans. “Boss, looks like this is it.”
“Fuck, two jars? I guess they really were going to starve.” After a moment the leader shrugged and went out. The other two followed.
The girl and Chongba, clinging to each other in terror and exhaustion, stared at their father where he lay on the churned dirt. His bloodied body was curled up as tightly as a child in the womb: he had left the world already prepared for his reincarnation.
That night was long and filled with nightmares. Waking up was worse. The girl lay on the bed looking at her father’s body. Her fate was nothing, and it was her father who would have made it happen, but now it was he who was nothing. Even as she shuddered with guilt, she knew it hadn’t changed anything. Without their father, without food, the nothing fate still awaited.
She looked over at Chongba and startled. His eyes were open, but fixed unseeing on the thatched roof. He barely seemed to breathe. For a horrible instant the girl thought he might be dead as well, but when she shook him he gave a small gasp and blinked. The girl belatedly remembered that he couldn’t die, since he could hardly become great if he did. Even with that knowledge, being in that room with the shells of two people, one alive and one dead, was the most frighteningly lonely thing the girl had ever experienced. She had been surrounded by people her whole life. She had never imagined what it would be like to be alone.
It should have been Chongba to perform their last filial duty. Instead, the girl took her father’s dead hands and dragged the body outside. He had withered so much that she could just manage. She laid him flat on the yellow earth behind the house, took up his hoe, and dug.
The sun rose and baked the land and the girl and everything else under it. The girl’s digging was only the slow, scraping erosion of layers of dust, like the action of a river over the centuries. The shadows shortened and lengthened again; the grave deepened with its infinitesimal slowness. The girl gradually became aware of being hungry and thirsty. Leaving the grave, she found some muddy water in the bucket. She scooped it with her hands and drank. She ate the meat for rubbing the pot, recoiling at its dark taste, then went into the house and looked for a long time at the two dried melon seeds on the ancestral shrine. She remembered what people had said would happen if you ate a ghost offering: the ghosts would come for you, and their anger would make you sicken and die. But was that true? The girl had never heard of it happening to anyone in the village—and if no one could see ghosts, how could they be sure what ghosts did? She stood there in an agony of indecision. Finally she left the seeds where they were and went outside, where she grubbed around in last year’s peanut patch and found a few woody shoots.
After she had eaten half the shoots, the girl looked at the other half and deliberated on whether to give them to Chongba, or to trust in Heaven to provide for him. Eventually guilt prodded her to go wave the peanut shoots over his face. Something in him flared at the sight. For a moment she saw him struggling back to life, fueled by that king-like indignation that she should have given him everything. Then the spark died. The girl watched his eyes drift out of focus. She didn’t know what it meant, that he would lie there without eating and drinking. She went back outside and kept digging.
When the sun set the grave was only knee deep, the same clear yellow color at the top as it was at the bottom. The girl could believe it was like that all the way down to the spirits’ home in the Yellow Springs. She climbed into bed next to Chongba’s rigid form and slept. In the morning, his eyes were still open. She wasn’t sure if he had slept and woken early, or had been like that all night. When she shook him this time, he breathed more quickly. But even that seemed reflexive.
She dug again all that day, stopping only for water and peanut sprouts. And still Chongba lay there, and showed no interest when she brought him water.
She awoke before dawn on the morning of the third day. A sense of aloneness gripped her, vaster than anything she had ever felt. Beside her, the bed was empty: Chongba had gone.
She found him outside. In the moonlight he was a pale blur next to the mass that had been their father. At first she thought he was asleep. Even when she knelt and touched him it took her a long time to realize what had happened, because it didn’t make any sense. Chongba was to have been great; he was to have brought pride to their family name. But he was dead.
The girl was startled by her own anger. Heaven had promised Chongba life enough to achieve greatness, and he had given up that life as easily as breathing. He had chosen to become nothing. The girl wanted to scream at him. Her fate had always been nothing. She had never had a choice.
She had been kneeling there for a long time before she noticed the glimmer at Chongba’s neck. The Buddhist amulet. The girl remembered the story of how her father had gone to Wuhuang Monastery to pray for Chongba’s survival, and the promise he had made: that if Chongba survived, he would return to the monastery to be made a monk.
A monastery—where there would be food and shelter and protection.
She felt a stirring at the thought. An awareness of her own life, inside her: that fragile, mysteriously valuable thing that she had clung to so stubbornly throughout everything. She couldn’t imagine giving it up, or how Chongba could have found that option more bearable than continuing. Becoming nothing was the most terrifying thing she could think of—worse even than the fear of hunger, or pain, or any other suffering that could possibly arise from life.
She reached out and touched the amulet. Chongba had become nothing. If he took my fate and died . . . then perhaps I can take his, and live.
Her worst fear might be of becoming nothing, but that didn’t stop her from being afraid of what might lie ahead. Her hands shook so badly that it took her a long time to undress the corpse. She took off her skirt and put on Chongba’s knee-length robe and trousers; untied her hair buns so her hair fell loose like a boy’s; and finally took the amulet from his throat and fastened it around her own.
When she finished she rose and pushed the two bodies into the grave. The father embracing the son to the last. It was hard to cover them; the yellow earth floated out of the grave and made shining clouds under the moon. The girl laid her hoe down. She straightened—then recoiled with horror as her eyes fell upon the two motionless figures on the other side of the filled grave.
It could have been them, alive again. Her father and brother standing in the moonlight. But as instinctively as a new-hatched bird knows a fox, she recognized the terrible presence of something that didn’t—couldn’t—belong to the ordinary human world. Her body shrank and flooded with fear, as she saw the dead.
The ghosts of her father and brother were different from how they had been when alive. Their brown skin had grown pale and powdery, as if brushed with ashes, and they wore rags of bleached-bone white. Instead of being bound in its usual topknot, her father’s hair hung tangled over his shoulders. The ghosts didn’t move; their feet didn’t quite touch the ground. Their empty eyes gazed at nothing. A wordless, incomprehensible murmur issued from between their fixed lips.
The girl stared, paralyzed with terror. It had been a hot day, but all the warmth and life in her seemed to be draining away in response to the ghosts’ emanating chill. She was reminded of the dark, cold touch of nothingness she had felt when she had heard her fate. Her teeth clicked as she shivered. What did it mean, to suddenly see the dead? Was it a Heavenly reminder of the nothing that was all she should be?
She trembled as she wrenched her eyes from the ghosts to where the road lay hidden in the shadow of the hills. She had never imagined leaving Zhongli. But it was Zhu Chongba’s fate to leave. It was his fate to survive.
The chill in the air increased. The girl startled at the touch of something cold, but real. A gentle, pliant strike against her skin—a sensation she had forgotten long ago, and recognized now with the haziness of a dream.
Leaving the blank-eyed ghosts murmuring in the rain, she walked.
The girl came to Wuhuang Monastery on a rainy morning. She found a stone city floating in the clouds, the glazed curves of its green-tiled roofs catching the light far above. Its gates were shut. It was then that the girl learned a peasant’s long-ago promise meant nothing. She was just one of a flood of desperate boys massed before the monastery gate, pleading and crying for admittance. That afternoon, monks in cloud-gray robes emerged and screamed at them to leave. The boys who had been there overnight, and those who had already realized the futility of waiting, staggered away. The monks retreated, taking the bodies of those who had died, and the gates shut behind them.
The girl alone stayed, her forehead bent to the cold monastery stone. One night, then two and then three, through the rain and the increasing cold. She drifted. Now and then, when she wasn’t sure whether she was awake or dreaming, she thought she saw chalky bare feet passing through the edges of her vision. In more lucid moments, when the suffering was at its worst, she thought of her brother. Had he lived, Chongba would have come to Wuhuang; he would have waited as she was waiting. And if this was a trial Chongba could have survived—weak, pampered Chongba, who had given up on life at its first terror—then so could she.
The monks, noticing the child who persisted, doubled their campaign against her. When their screaming failed, they cursed her; when their cursing failed, they beat her. She bore it all. Her body had become a barnacle’s shell, anchoring her to the stone, to life. She stayed. It was all she had left in her to do.
On the fourth afternoon a new monk emerged and stood over the girl. This monk wore a red robe with gold embroidery on the seams and hem, and an air of authority. Though not an old man, his jowls drooped. There was no benevolence in his sharp gaze, but something else the girl distantly recognized: interest.
“Damn, little brother, you’re stubborn,” the monk said in a tone of grudging admiration. “Who are you?”
She had kneeled there for four days, eating nothing, drinking only rainwater. Now she reached for her very last strength. And the boy who had been the Zhu family’s second daughter said, clearly enough for Heaven to hear, “My name is Zhu Chongba.”
After being stolen from her wealthy German parents and raised in the unforgiving wilderness of eastern Europe, a young woman finds herself alone in 1941 after her kidnapper dies. Her solitary existence is interrupted, however, when she happens upon a group of Jews fleeing the Nazi terror. Stunned to learn what’s happening in the outside world, she vows to teach the group all she can about surviving in the forest—and in turn, they teach her some surprising lessons about opening her heart after years of isolation. But when she is betrayed and escapes into a German-occupied village, her past and present come together in a shocking collision that could change everything.
For Mirielle West, a 1920’s socialite married to a silent film star, the isolation and powerlessness of the Louisiana Leper Home is an unimaginable fall from her intoxicatingly chic life of bootlegged champagne and the star-studded parties of Hollywood’s Golden Age. When a doctor notices a pale patch of skin on her hand, she’s immediately branded a leper and carted hundreds of miles from home to Carville, taking a new name to spare her family and famous husband the shame that accompanies the disease.
At first she hopes her exile will be brief, but those sent to Carville are more prisoners than patients and their disease has no cure. Instead she must find community and purpose within its walls, struggling to redefine her self-worth while fighting an unchosen fate.
As a registered nurse, Amanda Skenandore’s medical background adds layers of detail and authenticity to the experiences of patients and medical professionals at Carville – the isolation, stigma, experimental treatments, and disparate community. A tale of repulsion, resilience, and the Roaring ‘20s, The Second Life of Mirielle West is also the story of a health crisis in America’s past, made all the more poignant by the author’s experiences during another, all-too-recent crisis.
”Excerpt”
Los Angeles, California 1926
Such fuss over a little burn. Some salve and a gin rickey, and Mirielle would be right as rain tomorrow. But Charlie had insisted on ringing the doctor. Look how it’s blistered, he said. Off in the nursery, the baby was crying. Mirielle’s head beginning to pound. She didn’t have the energy for another quarrel.
Dr. Carroll had set Mirielle’s broken arm when she was six. Delivered all three of her children. Cared for her after the—er—accident. So she knew well how to read his expressions. The affable smile he wore when he greeted her in the great room and asked after the baby. The shrewd glance when slipping in a question about her moods.
But his expression upon examining her hand made her insides go numb as if she were sixteen again and trussed up in a corset. The way his lips clamped shut and pushed outward, causing his graying mustache to bunch and bristle. The furrow that deepened between his eyebrows. The slow, deliberate way his features reset themselves.
Mirielle pulled her hand away. She’d seen his face morph that way before. But this was just a little burn. Mirielle wasn’t dying.
“The spot on the back of your hand,” he asked. “How long has it been there?”
She glanced at the pale patch of skin at the base of her thumb. What the devil did this have to do with her burned finger? “This little thing? Can’t say I remember.”
“And when you scalded your finger curling your hair, you didn’t feel any pain?”
She shook her head. It was the smell that had alerted her. Like meat in a frying pan. She ought to have let the hairdresser give her a permanent last week when she’d bobbed her hair. Then Mirielle wouldn’t have had to bother with the iron. Or the doctor. “It’s just a burn. A trifle. I thought you might prescribe some ointment. Maybe a little whiskey while you’re at it.”
Still that serious expression.
She reached out and batted his arm. “Oh, come on. That was a joke. You know I can’t stand that cheap medicinal stuff.”
He mustered a weak smile while brushing off the sleeve of his jacket where she had touched him. “Is your husband home?”
“He ran off to the studio. Be glad you missed him. Charlie’s been in a bum mood ever since his last picture. That reviewer at the Times sure did—”
“Mirielle.” His eyes fixed her with unsettling intensity. “I’d like you to go to County General.”
“The hospital? Whatever for?”
“There’s a dermatologist there, Dr. Sullivan. I’d like him to have a look at your hand. Perhaps your driver can—”
“Of course.” Her insides squeezed all the tighter.
“I’d take you myself but . . .” His steady gaze became skittish.
“I’ll ring for the driver as soon as I finish making my hair.”
“No, best go right away. I’ll telephone ahead so they’ll expect you.” He gave her arm a hesitant pat and forced another smile. “Perhaps I should give them an alias when I call.”
Mirielle almost laughed. It’d have to be an awfully slow day in the newsroom for anyone to care about her going to the hospital for a silly little burn. But then, maybe Dr. Carroll was right. She and Charlie had been fodder enough for the press these last few years. She drained what remained in her highball and glanced at the framed posters hung about the great room. Every one of her husband’s motion pictures was displayed, from his very first to his latest flop. “Tell them to expect a Mrs. Pauline Marvin.”